L E G E N D


Showing posts with label Peter Sinfield. Show all posts
Showing posts with label Peter Sinfield. Show all posts

Thursday, July 24, 2008

King Crimson - (1993) The Concise King Crimson

King Crimson - (1993) The Concise King Crimson

Boxset/Compilation, released in 1993

I have taken the easy way to make a review, it´s easier to review a compilation or "Best of" than an a complex studio album.

King Crimson being a monster of Progressive Rock, is neccessary to be tasted by every prog fan, if you like it or not, that´s the less important, but you have at least to listen to them to haveyour persola criteria about the band, i think for deep prog fans like the most of the people in this site, is not important to own a compilation, at least it´s not that usual that i put my Bests Of in my CD player very often, sometimes is good because maybe you have the mood of listen to those classic songs (usually called hits) , but it´s obvious that we prefer much more the studio albums.

The fact is, that the opposite happens when you are a newbie, i mean, i have had the experience of people that are interested in new bands, the first thing that they do before buying the album , is download some songs, usually the most well known songs, and then they decide if dig the band or saty away, so my thoughts here is that a compilation or best of could be recommendable for people who is not familiar with the band or the songs, they probably dont know the names of the most beautiful albums, so the easy way is buying a compilation which supposes to contain the most representative songs (not always the best songs.

King Crimson had released some compilation albums, Sleepless is one of them, and maybe the one that i prefer.

A newcomer of King Crimson maybe won´t know that they have had several line up changes, and musical changes, in this album i think the track selection is suitable for newbies and also for Crimson lovers (as i said above, a Crimson lover won´t play a compilation that often, but sometimes it´s ood to have a nice time).

The order of the tracks is chronologically , which is a good point, because you will appreciate the different eras one by one, and not suddenly like in "The Compact King Crimson" which track list is not that different from this one, but the order makes it terrible to listen to. Also we won´t find the original songs, some of them have been edited to give pass to other ones, it´s only like a proof of what King Crimson music is about.

Track Listings:
1. 21st century schizoid man (7:20)
2. Epitaph (8:45)
3. In the court of the Crimson King (7:19)
4. Cat food (edit) (2:45)
5. Ladies of the road (5:30)
6. Starless (abridged) (4:36)
7. Red (6:16)
8. Fallen angel (6:00)
9. Elephant talk (4:41)
10. Frame by frame (5:07)
11. Matte Kudasai (3:45)
12. Heartbeat (3:53)
13. Three of a perfect pair (4:11)
14. Slepless (remixed) (5:22)

Total Time: 75:30

Line-up/Musicians
- Robert Fripp / guitar
- Adrian Belew / guitar, lead vocal
- Tony Levin / bass guitar, Chapman stick, support vocal
- Bill Bruford / percussion, electric and acoustic drums
- Ian McDonald / woodwind, keyboards, mellotron
- Greg Lake / bass guitar, lead vocal
- Michael Giles - drums, percussion
- Peter Sinfield - words & illumination
- Keith Tippet / piano
- Mel Collins / saxophone, backing vocal
- Boz / bass guitar, lead vocal
- Ian Wallace / drums, percussion, backing vocals
- John Wetton / bass guitar, vocal
- Marc Charig / cornet
- Robin Miller / oboe

Wednesday, July 23, 2008

King Crimson - King Crimson Collector's Club 01 (1969) Live at Marquee

King Crimson - (1969) KCCC01 Live at Marquee

(Review from wikipedia, progarchives.com)

In 1998, King Crimson Collectors' Club (KCCC) were founded, a service that regularly releases live recordings from concerts, studio sessions and radio sessions throughout the band's career.

Live at The Marquee is the first of many KCCC albums. Tracks 1-7 believed to be recorded at the Marquee Club, London, UK, July 6, 1969. Track 8 was recorded at the Fairfield Halls, Croydon, UK, October 17, 1969.

Fripp is absolutely marvelous on this record, and his harmonizations and arpeggios are flawlessly executed, as well as the occasional shreds. Greg Lake's vocals here are awfully forced and there's hardly any modulation in his voice, often just shouting. Giles is Giles as always, a very underrated drummer, although this album is probably not the best way to be introduced to his talents; studio albums will do much better. Ian McDonald's flute sounds flowing as always, especially on "Travel Weary Capricorn": a very jazz-flavoured piece, in which he pulls out a "Ian Anderson".

This album has the worst bootleg quality you could find anywhere, but if you're not an audiophile or a sound quality freak, then this will present no problem. Proceed with caution though... this albums has as much flaws as virtues.

Track List :
01. 21st Century Schizoid Man - 6:21
02. Drop In - 5:41
03. I Talk to the Wind - 5:17
04. Epitaph - 3:20
05. Travel Weary Capricorn - 11:06
06. Improv (including Nola and Etude no. 7) - 12:29
07. Mars - 8:29
08. Trees - 18:44


Line-up :
* Robert Fripp / guitar
* Greg Lake / bass guitar, vocals
* Ian McDonald / woodwinds, keyboards, mellotron, vocals
* Michael Giles / drums, percussion, vocals
* Peter Sinfield / illumination


Sunday, July 06, 2008

Mc Donald and Giles - (1971) Mc Donald and Giles

After recording "In the Court of the Crimson King" as founding members of KING CRIMSON, Multi-instrumentalist Ian McDonald and drummer Michael Giles made a blunder of a career move and left the band, forming the no-so-cleverly titled MCDONALD AND GILES. Lack on originality aside, they managed to record one self-titled album of fine quality prog music. The style is a less bombastic take on the first two KING CRIMSON albums. Steve Winwood guested on the album. It's recommended to fans of early KING CRIMSON.

Studio Album, released in 1971

Track Listings

1. Suite in C including Turnham Green, Here I Am and others (11:15)
2. Flight Of The Ibis (3:11)
3. Is She Waiting? (2:36)
4. Tomorrow's People - The Children of Today (7:02)
5-10. Birdman (21:11) involving:
5. The Inventor's Dream (O.U.A.T.) (3:53)
6. The Workshop (2:51)
7. Wishbone Ascension (1:30)
8. Birdman Flies! (6:18)
9. Wings In The Sunset (0:40)
10. Birdman - The Reflection (5:59)

Total Time: 45:20
Line-up/Musicians

- Ian McDonald / guitar, piano, organ, saxes, flute, clarinet, zither, vocals and sundries
- Michael Giles / drums, percussion (including milk bottle, handsaw, lip whistle and nutbox), vocals
- Peter Giles / bass guitar
- Steve Winwood / organ, and piano solo on Turnham Green
- Michael Blakesley / trombone on Tomorrow's People
- Peter Sinfield / lyricist

Wednesday, June 11, 2008

Live at the Zoom Club 1971

Lineup:
Robert Fripp - Guitars
Boz - Bass / Vocals
Pete Sinfeld - Illumination / Lyrics
Ian Wallace - Drums / Percussion
Mel Collins - Sax / Flute


Setlist:
01 - Cirkus
02 - Get Thy Bearings
03 - In The Court Of The Crimson King
04 - Lady Of The Dancing Water
05 - 21st Century Schizoid Man
06 - Pictures Of A City
07 - The Sailor's Tale
08 - Cadence And Cascade
09 - The Devil's Triangle

Download

King Crimson (1971) ISLAND


Track List :
01. Formentera Lady (10:14)
02. Sailor's Tale (7:21)
03. The Letters (4:26)
04. Ladies Of The Road (5:28)
05. Prelude: Song Of The Gulls (4:14)
06. Islands (11:51)

Line-up :
- Robert Fripp / guitar, mellotron, pedal harmonium and sundry implements
- Mel Collins / flute, bass flute, saxes and vocals
- Boz Burrell / bass guitar, lead vocals and choreography
- Ian Wallace / drums, percussion and vocals
- Peter Sinfield / words, sounds and visions
with:
- Keith Tippet / piano
- Paulina Lucas / soprano
- Robin Miller / oboe
- Mark Charig / cornet
- Harry Miller / string bass



CD 1

CD 2

King Crimson - (1991) Lizard

King Crimson has gone through many changes since its inception, but it was always a case of brilliant musicians replacing brilliant musicians, and there's really no room to give you any band history here; I'd rather discuss this most phenomenal album. What's special about LIZARD (1970) is the contribution from the jazz players. Mark Charig (cornet) and Nick Evans (trombone, can be heard on Soft Machine THIRD) were joined by the dazzling Keith Tippet (returning on piano). These three musicians were instrumental in generating much of this music's added enchantment. And, here again, we get Pete Sinfield's captivating lyrics, which are a world unto themselves and some of the most entertaining lyrics in all of rock.

The magic begins at once with the hushed introduction to "Cirkus." The theme is peaceful and the embellishment almost twinkles. Then the band kicks in with a loud, eerie, minor-infused, twisted-smile-like riff and the song proceeds, the guitar and drums refreshingly hitting all the accents you wouldn't expect them to. And at the end, Mark Charig's trumpet solo takes us to the stratosphere. "Indoor Games" is a complete change of mood. Andy McCulloch's drumming is superb. Different harmonies played through each channel with the horns. The bridge gets cosmic, and then there's a pleasingly playful improvisation between sax and guitar. The end is a gas, as Gordon Haskell's laughter (and such) abruptly segues to the highly sardonic opening riff (more twisted-smile stuff) of "Happy Family." Here, we are delighted by Tippet's deliciously "out" piano playing, Haskell's very altered vocals and another stellar group-jam with flute and trombone. "Lady Of The Dancing Water" is a gorgeous tune, beautifully sung and beautifully ornamented with guitar, flute and trombone. Piano and percussion also make a subtle appearance in this calming, wonderfully lazy tune.

The haunting voice of Jon Anderson (Yes) mystifies us in the opening section of the title cut. Keith Tippet blows us away with his brilliant countermelodies. When "Bolero--The Peacock's Tale" begins, mellotron enters and we are given a grand, wordless treatment of the verse theme--absolutely breathtaking in its beauty! Toward the end of the oboe solo, Tippet's piano hints of the bluesy improvisation to come. The horns then create the most spellbinding and meaningful improvisation on a theme I've ever heard on a rock album--enthralling in its detail, brilliant in its invention. The music resolves, the ad-libbing goes away and the oboe returns to the gorgeous theme from before. The Bolero section ends, and we get quite a foreboding atmosphere as we enter "Battle Of The Glass Tears." The battle begins--the drums wickedly bizarre, a menacing sax riff enters and the band eventually improvises around this eeriness. After this fit of group interplay comes "Prince Rupert's Lament," a gut-wrenching guitar solo by Fripp that cries in anguish. And finally, the playful absurdity of "Big Top" (remember "Cirkus"?) eases the anguish from that pain-filled guitar solo.

I usually point to LIZARD as one of the most brilliant rock albums because rock, jazz, intense imagination and incredible musicianship intelligently collide to produce one thoroughly engaging work of art. It is a monument of the genre. I can't recommend this strongly enough to those who enjoy their music on the progressive side. It differs in sound from all other King Crimson albums, but it is the most developed, the most advanced of any they made. Because there is so much thematic detail involved here, LIZARD will grow on you the more you listen to it. The music is deep, and richly rewarding. The whole album reads like some kind of nightmarish fairy tale.

Line-up :
- Robert Fripp / guitar, mellotron, electric keyboards & devices
- Mel Collins / flute & saxes
- Gordon Haskell / bass guitar & vocals
- Andy McCulloch / drums
- Peter Sinfield / words & pictures
with
- Robin Miller / oboe & cor anglais
- Mark Charig / cornet
- Nick Evans / trombone
- Keith Tippet / piano & electric piano
- Jon Anderson / vocals (5a)

Track List :
01. Cirkus (including Entry of the chameleons) (6:29)
02. Indoor games (5:39)
03. Happy family (4:25)
04. Lady of the dancing water (2:45)
05. Lizard (23:23)
a) Prince Rupert awakes
b) Bolero - The peacock's tale
c) The battle of the glass tears
i) dawn song
ii) last skirmish
iii) Prince Rupert's lament
d) Big top


CD 1
CD 2

King Crimson - (1970) In the Wake of Poseidon

Line-up :
- Robert Fripp / guitar, mellotron, devices
- Greg Lake / vocals
- Michael Giles / drums
- Peter Giles / bass
- Keith Tippett / piano
- Mel Collins / saxes, flute
- Gordon Haskell / vocals (3)
- Peter Sinfield / words

Track List :
01. Peace - A Beginning - 0:50
02. Pictures Of A City - 8:02
03. Cadence And Cascade - 4:38
04. In The Wake Of Poseidon - 7:58
05. Peace - A Theme - 1:15
06. Cat Food - 4:54
07. The Devil's Triangle (i. Merday Morn- ii. Hand Of Sceiron- iii. Garden Of Worm) - 11:36
08. Peace - An End - 1:53



Download :

In The Court Of The Crimson King

Line-up :
- Robert Fripp / guitar
- Greg Lake / bass guitar, lead vocals
- Ian McDonald / reeds, woodwind, vibes, keyboards, mellotron, vocals
- Michael Giles / drums, percussion, vocals
- Peter Sinfield / words and illumination

Track List :
01. 21st Century Schizoid Man (including Mirrors) - 7:23
02. I Talk To The Wind - 6:06
03. Epitaph (including March For No Reason and Tomorrow And Tomorrow) - 8:48
04. Moonchild (including The Dream and The Illusion) - 12:12
05. The Court Of The Crimson King (including The Return Of The Fire Witch and The Dance Of The Puppets) - 9:23


Download :
http://www.badongo.com/es/file/8113156

http://www.badongo.com/es/file/8110610
rapidshare :
http://lix.in/4aaca2d5
http://lix.in/b4cdaf45

Giles > Giles > Fripp


Line-up :
- Robert Fripp / guitar
- Peter Giles / vocals, bass
- Michael Giles / vocals, drums
with
- Ian McDonald / vocals, piano, flute, saxophone, guitar, clarinet
- Judy Dyble / vocals
- Al Kirtly / piano

Track List :
01. Hypocrite 3:41
02. Digging My Lawn (a) - 1:59
03. Tremelo Study In A Major (Spanish Suite) - 1:41
04. Newly Weds - 1:53
05. Suite No. 1 5:34
06. Scrivens 2:15
07. Make It Today (a) 3:27
08. Digging My Lawn (b) - 1:55
09. Why Don't You Just Drop In (i) 3:40
10. I Talk To The Wind (1) 3:18
11. Under The Sky (x) 3:53
12. Plastic Pennies 2:19
13. Passages Of Time 3:32
14. Under The Sky (xx) 2:50
15. Murder 2:41
16. I Talk To The Wind (2) 3:15
17. Erudite Eyes 6:47
18. Make It Today (B) 4:46
19. Wonderland 6:09
20. Why Don't You Just Drop In (ii) 3:42
21. She Is Loaded 3:12


Download :